The AARP stage of Bob Dylan’s career has developed into a period as
consistent, purposeful and excellent as any other phase of his twisting
path. Together Through Life, Dylan’s third studio album of this
decade, continues his streak of top-quality records with new
flourishes—in this case, the Tex-Mex accordion from Los Lobos’
David Hidalgo.
This unique latter-day Dylan sound is an amalgamation of
mid-20th-century musical styles, from blues to country to the early
explosion of rock ‘n’ roll, both an homage to the music he loved
growing up and a timeless reinterpretation of the soundscape for that
vanished America. That sound is something that Dylan himself should
name—and I’d love to hear what the man who came up with “thin,
wild mercury” for Blonde on Blonde would have to say about his
records four decades later.
Co-written mostly with Grateful Dead lyricist Robert Hunter,
Together Through Life starts out lightning hot with “Beyond Here
Lies Nothin’,” a down-and-dirty blues tune that sounds just like its
best line: “I’m movin’ after midnight / Down boulevards of broken
cars.”
The record abruptly slows with the second song, “Life Is Hard,” a
victim of sequencing and the weakest song Dylan has recorded in the
dozen years of this latest resurgence.
Standout tracks are “If You Ever Go to Houston” and “I Feel a Change
Comin’ On,” but overall, songs three through 10 are strung together
flawlessly, a mix of spooky blues romps and lonesome country
ballads.
This article appears in May 14-20, 2009.
