Heavenly Harmony
“Harps and Angels”
7:30 p.m., Friday, Dec. 11
UA Steve Eller Dance Theatre
1713 E. University Blvd.
621-1162;
There are some things that little girls love: princesses, horses and
… harps?
Well, maybe little girls don’t love the harps themselves, but they
love what harps conjure: The melodies that come from harp strings seem
to flit and fly high on magical wings.
“Maybe girls think of angels playing when they hear the sound,” says
Terrie Ashbaugh, executive artistic director of the Southern Arizona
Women’s Chorus.
Therein lies the inspiration behind “Harps and Angels,” a
collaboration between the UA’s HarpFusion and the Women’s Chorus. The
“angels” are the 65-plus women who will sing in harmony with the 12
harps, in a performance incorporating Latin, jazz, classical and
traditional holiday music.
HarpFusion has been recognized all over the world for their
innovative style. This first-time partnership with a group of only
female voices is something new for the group, which is used to
collaborations with a mix of men and women.
The harp itself seems to lean in the direction of femininity, as 11
of the 12 members of the ensemble are women.
Fine-tuning the angelic voices to match the sound of the harp was
tricky, but Ashbaugh says the real challenge was finding a stage large
enough to hold nearly 80 bodies and a dozen harps.
The night will open up with composer Benjamin Britten’s “Ceremony of
Carols” and wrap up with the “Halleluiah Chorus.” Ashbaugh says that
the audience can expect to hear pieces that one would not normally
associate with the harp—like a rendition of “Jingle Bells.”
She also says the concert is family-oriented, so feel free to bring
the little girls (and boys) along for a heavenly encounter—one
that’s right up there with princesses.
Tickets are $15 general, and $10 for students. —E.N.
Cocoa + Lights = Awesome!
Third Annual Presidio Luminaria Festival
6 to 9 p.m., Saturday, Dec. 12
Presidio San Agustín del Tucson
133 W. Washington St.
837-8119
We’re all fairly familiar with luminarias: Lined up neatly outdoors,
they’re votive candles placed inside paper bags or lamp shades, often
held down with sand or a rock. They make a fun art project or holiday
tradition; they light up walkways, and they’re a nice Southwestern
staple.
Naturally, you can now buy them all ready to go at Target.
In other luminaria news: The Third Annual Presidio Luminaria
Festival at Presidio San Agustín del Tucson will take place this
Saturday. It’s a fun way to look at lights without driving around in
your car.
The downtown Parade of Lights happens first, with holiday floats and
music traveling through downtown. This year, organizers of the
Luminaria festival unofficially hooked up with the parade so that
afterward, you can walk around the Presidio and warm up with
complimentary hot cocoa and cookies as you enjoy the peaceful glow from
luminarias.
“There will be tons of them,” says Heather Coleman, who works with
the Tucson Presidio Trust. “We put them everywhere you can see, even in
hanging lanterns.”
Volunteers will most likely be dressed in what Coleman calls
“living-history” costumes. (That means people dressed in historical
get-ups dating to traditional 18th-century clothing, the original era
of the Presidio.)
“It’s neat after the parade to get cocoa and learn about local
history,” says Coleman.
Standard colorful Christmas lights will also help brighten the area,
so you can ooh and ahh some more. The luminarias won’t include the
usual votive candles; they’ll be little electronic lights, says
Coleman, so even if it gets kind of breezy, everything will stay
beautifully lit!
The event is free. —A.P.
Values and Traditions
“Kwanzaa Folktales”
7 p.m., Friday and Saturday; 3 p.m., Saturday and Sunday, through
Dec. 20
Dunbar Cultural Center
325 W. Second St.
628-7785
Kwanzaa is a holiday and a tradition that observes African and
African-American culture. The holiday values what are called the seven
principles—like unity and self-determination—and uses
symbols to represent these Kwanzaa values.
To celebrate and help understand Kwanzaa, Barbea Williams is
directing a show called “Kwanzaa Folktales.” Williams, who teaches at
the UA School of Dance, has been putting on various shows for the past
35 years. She’ll also be in the performance this year.
“I’ll be the jolly oral historian, the storyteller,” says
Williams.
The show combines professional and student performers from the
Barbea Williams Performing Company. “Kwanzaa Folktales” uses what she
calls “story dance” to help tell different vignettes.
“We include the audience with dialogue, singing, dancing and
storytelling,” says Williams. “We tell the story in a visual way;
everything is important to Kwanzaa’s symbolism.”
Williams describes a particular story about a boy determined to help
feed his family during a drought. She says the tale encompasses what it
takes to be a family, how to live without violence, and courage. All
things are related back to the roots of the holiday and tradition.
“The context of the stories shows the seven principles of Kwanzaa
and why they’re important,” she says. “We can all relate.”
There will be pre-show activities starting an hour before each show
that include more Kwanzaa information and projects, face-painting and
African games. Tickets are $6 in advance, $8 at the door and $5 for
groups of five or more. Call 628-7785 for tickets, information and
reservations. —A.P.
Dancing and Drumming
Rhythm Industry Review
7 to 10 p.m., Saturday, Dec. 12
Rhythm Industry Performance Factory
1013 S. Tyndall Ave.
Consider what pyrotechnic theater, modern dance, pantomime,
Brazilian and African beats and Japanese drumming all sound
like—and look like.
It won’t all be happening at once, but it’s all happening on the
same night, at the Rhythm Industry Performance Factory. The performers
all call the Rhythm Industry home when they’re practicing, and they
describe this event as a recital of work in progress.
The Afro-Brazilian percussion and dance ensemble Batucaxé
will be the featured performers; they’ll be joined by Odaiko Sonora,
Jodi Netzer, Movement Salon, Theatrical Mime Theatre and Saguaro
Aikido, to name just a few entertainers.
“Most of us are practicing art forms off the beaten track that
require a large space,” says Karen Falkenstrom, co-director of the
Japanese taiko-drumming group Odaiko Sonora, which owns the Rhythm
Industry space.
“Some of us are a little hard to house,” says Falkenstrom. “Some of
the things we do are a little dangerous, but we’re dedicated to keeping
a place open for local artists to create and practice their work.”
This review is a fundraiser and primer to get everyone ready for the
Carnaval celebration to be held in February. The money raised will help
ensure that the building can continue to stay open; Falkenstrom says
it’s a struggle for any small business nowadays, but with the help of
these reviews, she remains optimistic.
“It’ll be an informal setting; people can ask questions and meet the
artists,” says Falkenstrom about what to expect. “The first half will
be the review, and the second half will be a dance party for
everyone.”
Cookies and juice will be provided. The suggested donation is $10.
—A.P.
This article appears in Dec 10-16, 2009.