The rural France in Daniel Auteuil’s The Well Digger’s Daughter looks and feels much older than the 1940 it projects. Auteuil plays a single father of six whose eldest—the titular daughter—could hold the key to better fortunes for the family. He would like to marry his daughter off to a financially stable, middle-aged co-worker, but Patricia (Astrid Bergès-Frisbey) has fallen in love with a pilot who has been called into active duty … and left her behind with his unborn child. The look inside the cultural mores sets the boundaries, and Auteuil’s performance and script (based on a book and film by French icon Marcel Pagnol) are the touchstones for a story and movie that would be pretty disposable without them.