Not the Same 

By bringing 'Snow Flower and the Secret Fan' into modern times, director Wayne Wang ruins the story

Lisa See's 2005 novel, Snow Flower and the Secret Fan, is a work of historical fiction, a journey through the 19th century featuring two friends from different social castes. They are bound together by laotong, a kind of personal contract that is more powerful than the vows of the arranged marriages each will take years later.

The film of the same name covers that territory, but adds a new twist that will unnerve some viewers: Instead of focusing on the relationship between the two friends, Lily and Snow Flower, director Wayne Wang also presents contemporary versions of the characters: longtime friends Nina (Li Bingbing) and Sophia (Gianna Jun).

While it is admittedly interesting to see a more-capitalistic, westernized Shanghai as a counterpoint to the traditions of the 200-year-old subplot, it is no more interesting than it would be to see those same 19th-century traditions presented in more detail. Wang shoots right down the middle, which doesn't help either story.

The modern story begins in the mid-1990s, when Nina and Sophia first learn of the laotong relationship, and agree to their own. In essence, it's a bond of sisterhood that is intended to survive virtually everything. Slowly, however, Nina and Sophia begin to drift apart once they become adults. Nina is expected to move to New York for business, and Sophia and her boyfriend (a derailing Hollywood cameo) are heading to Australia.

Along the way, however, Sophia is involved in an accident that leaves her in a coma. Nina collects her friend's personal effects at the hospital, which includes a novel she's been working on. That novel, conveniently enough, is Snow Flower and the Secret Fan. As Nina begins to read the book, she realizes—gasp!—that many of these same scenarios fit herself and Sophia.

In reality, that's a very shallow conclusion for Nina (and the film) to draw. Outside of one girl being rich and one girl being poor, there's almost nothing that connects these two stories other than the filmmakers wanting them to connect.

In the 19th-century narrative, Lily has married well, a byproduct of good foot-binding. Bound feet were common, if not expected, of Chinese women for nearly 1,000 years, and it's not the only grotesquerie they faced simply for being women. Perfectly bound feet were considered unbelievably attractive. She was in a loveless marriage—captured, in a sense—and useless unless she produced a male heir. Meanwhile, Snow Flower was forced into marriage with a butcher, and spent her life living in squalor.

Conversely, Nina and Sophia frequent nightclubs, have plenty of money and opportunity, and worry about being separated from each other (except that a host of technological options keep them no more than keystrokes apart). The similarities are chilling.

There are several missed opportunities in Snow Flower and the Secret Fan. The first and most obvious one is a deeper examination of life for women in 19th-century China. We get a glimpse, but because that storyline has to align with the insipid contemporary subplot, it isn't sustainable on its own. Another misfire is a genuine comparison between then and now, which is what Wayne Wang appears to be outlining by going back and forth so much. Unfortunately, the conceit is sandbagged by the 21st-century girls. Finally, the performances by Gianna Jun and Li Bingbing are sacrificed. Neither seems entirely comfortable speaking English, which is surprisingly prominent in the modern scenes, although both are very effective as Lily and Snow Flower.

And it's no wonder: That's the movie they were supposed to be making all along.

Snow Flower and the Secret Fan
Rated PG-13 · 103 minutes · 2011
Official Site: www.foxsearchlight.com/snowflowerandthesecretfan
Director: Wayne Wang
Producer: Wendi Murdoch, Florence Sloan, Hugo Shong and Ron Bass
Cast: Gianna Jun, Li Bingbing, Vivian Wu, Jiang Wu, Russell Wong, Coco Chiang, Hu Jingyun, Archie Kao, Hugh Jackman, Guo Congmeng and Dai Yan


More by Colin Boyd


Subscribe to this thread:

Add a comment

Readers also liked…

  • Nun Sense

    The Loft screen’s a documentary about a Tucson nun’s experience with a hallucinogenic in the Amazon
    • Dec 10, 2015
  • Krazy Kaufman

    Charlie Kaufman delivers his mind-blowing cinema craziness in animated Anomalisa
    • Jan 28, 2016

What others are saying (4)

Boise Weekly The Projector When man-imals go bad, a friendship that lasts, hilarious Michael Caine impressions and a 21st century Freaky Friday plus see Chronicles of Narnia, Raiders of the Lost Ark and Singin' in the Rain outdoors. It's all at the movies. 08/05/2011
Colorado Springs Independent Opening this week 30 Minutes or Less, Final Destination 5, Glee the 3D Concert Movie 08/11/2011
Charleston City Paper Snow Flower and the Secret Fan explores past and present Emotionally overwrought and fleetingly campy, any revelation Snow Flower has into the strange rituals of 19th-century China tends to pale next to its excessive lily gilding. by Felicia Feaster 08/03/2011
1 more review...
The Coast Halifax Kitschy Snow Flower and the Secret Fan Chinese historical drama stilted, stiff and unintentionally funny by Molly Segal 08/04/2011

The Range

Cinema Clips: Killing Ground

HoCo Fest Labor Day Weekend Schedule Unveiled Today

Laughing Stock: The Dating Game, Repeatedly

More »

Latest in Cinema Feature

  • Fog of War

    Dunkirk looks great, but the storytelling is confusing
    • Jul 27, 2017
  • Reel Indie

    As the summer heat continues, make a mad dash from the AC in your house to the AC in your car to the AC in one of Tucson's indie movie theaters.
    • Jul 27, 2017
  • More »

Most Commented On

  • Oh, Baby

    Edgar Wright’s homage to heist films fires on all cylinders
    • Jul 6, 2017
  • More »

Facebook Activity

© 2017 Tucson Weekly | 7225 Mona Lisa Rd. Ste. 125, Tucson AZ 85741 | (520) 797-4384 | Powered by Foundation