More Magic Needed 

Heath Ledger is solid in his final film, but the movie itself doesn't work

I've made no secret of my love for director Terry Gilliam. Even when his movies are terrible (Tideland being his worst), he still manages to convey his crazed sense of invention. Unfortunately, in his more recent films, that sense of invention has come with an annoying lack of focus.

Most movie buffs and Gilliam fans know that his productions are often plagued with difficulties—the studio taking Brazil hostage, the over-budget drama of The Adventures of Baron Munchausen, the complete meltdown on The Man Who Killed Don Quixote, etc. Most distressing was the death of star Heath Ledger during production of Gilliam's latest, The Imaginarium of Doctor Parnassus.

Ledger had already filmed a bunch of scenes when he passed away in January 2008. Rather than scrap the film, Gilliam and friends came up with an idea to keep the project moving forward: The title character (played by Christopher Plummer) has a traveling road show that features a mirror. On the other side of that mirror is a "land of imagination" that feeds off the desires of the person who has gone through it. After the death of Ledger, the land of imagination also became a place where your appearance can change.

Gilliam sets up this trick with his intro, where we see a lecherous man's face change after a mirror journey. Later in the film, when Ledger goes through the mirror in three sequences, Johnny Depp, Jude Law and Colin Farrell then play his part, in that order.

It's a nifty trick, and it seems right at home in a Gilliam movie. Each of the actors (especially Farrell) brings a fun spark, and Gilliam succeeds in letting the audience sense the presence of Ledger throughout the movie, even when somebody else is playing his part. And Ledger, in his modern-day London-based scenes, is his normally reliable self. It's a good thing that his final work is able to grace movie screens.

Alas, the movie itself doesn't work as a whole. The main story involves Parnassus and his deal with the devil (Tom Waits) in which he wagered the soul of his first-born, Valentina (Lily Cole). The business between Parnassus and Valentina is garbled and failed to keep my interest. I found myself waiting for the trips through the mirror so the movie could pick up the pace

As for the usually reliable Gilliam visuals, there are a few truly majestic ones. I liked the Parnassus balloon, featuring his nose and eyes. The Parnassus cop statue that pops up in the desert is also good and has a cool Monty Python vibe.

But most of the fantastical imagery is done in by glossy CGI. Gilliam had gotten by on miniatures and hand-drawn animation before, but CGI started to make its way into his productions with The Brothers Grimm. This time, it's almost all CGI, and the effects team fails to capture the magic of Gilliam's past creations. It feels like a poorly produced, half-hearted Gilliam impersonation.

In the end, one has to give Gilliam the benefit of the doubt. He did manage to put together a film that isn't half bad, despite circumstances in which most directors would've thrown in the towel.

The movie is worth seeing to experience Ledger's swan song, but it is distressing to see such a great director continue to lose his touch. There's been some talk of his reviving The Man Who Killed Don Quixote with Johnny Depp and Robert Duvall. That certainly sounds promising, and I still believe Gilliam has some great work left in him. He just needs to calm down a bit.

The Imaginarium of Doctor Parnassus
Rated PG-13 · 122 minutes · 2010
User Rating:
Official Site: www.sonyclassics.com/theimaginariumofdoctorparnassus
Director: Terry Gilliam
Producer: Amy Gilliam, Samuel Hadida, William Vince, Terry Gilliam, David Valleau and Victor Hadida
Cast: Heath Ledger, Christopher Plummer, Verne Troyer, Andrew Garfield, Lily Cole, Tom Waits, Johnny Depp, Jude Law, Colin Farrell, Peter Stormare, Maggie Steed, Mark Benton, Simon Day, Paloma Faith, Richard Riddell, Montserrat Lombard and Moya Brady


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What others are saying (5)

Charleston City Paper Terry Gilliam's vision leaves too much to the imagination One imagines Terry Gilliam at his laptop plotting his next screenplay. He's unsure of the eventual outcome but certain in one regard: there will be dwarves, time travel, a scrumptious young female lead, and men dressed in a Middle Ages-meets-steam punk mix of tattered clothes and stringy hair. If you can count on Gilliam for anything, you can depend on the British director for the patented antiquated, murky, visually chaotic worlds he creates in his well budgeted but ramshackle films — The Brothers Grimm, 12 Monkeys, The Fisher King, and Tideland. In Gilliam's fantastical creations it makes perfect sense for giant Monty Python heads to bubble up from the earth like geysers, for black rivers to turn into hideous serpents with human faces, or for the devil to make an appearance in human form. Gilliam's film world may appeal most to phantasmagoria junkies — people who crave visual excitement, but have less concern with continuity, logic, or the traditional three-act storyline. by Felicia Feaster 01/20/2010
Colorado Springs Independent Opening this week Daybreakers, Leap Year, The Young Victoria, Youth in Revolt and more. 01/07/2010
The Coast Halifax Imaginarium of Dr. Parnassus a visual treat Gilliam's movie is a little lopsided, but still great to watch. If only he and Heath Ledger had more time to collaborate. by Hillary Titley 12/31/2009
2 more reviews...
Portland Mercury Terry Gilliam's Traveling Circus In The Imaginarium of Dr. Parnassus, Terry Gilliam creatively edits Heath Ledger's final role. by Alison Hallett 01/07/2010
Colorado Springs Independent Doctoring it up You'll never be bored by the film, yet there are too many WTF? moments and messy plot turns to recommend it. by Tricia Olszewski 01/07/2010

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