Michael Radfords beautifully ornamented
production stays close to the original,
meaning it winds up with a potentially
anti-Semitic ending. I give Radford props
for sticking it out: He leaves it up to the
audience to condemn the bigotry and
hypocrisy of the play, and yet hes able to
eke out every element of sympathy for the
complex and controversial Shylock, the
Jewish moneylender who demands a
pound of human flesh. Al Pacinos weird
acting style is perfect for the part of
Shylock, and Joseph Fiennes is
something of a revelation as the "hero"
Bassanio, in that he instills him with
some deeply unlikable characteristics as
a needed antidote to his youthful good
lucks and loyal friendship. On the whole,
this is a winning production, among the
best of the Shakespeare adaptations that
try to stay true to period. A quiet and
affecting score by Jocelyn Pook and a
coyly sexy performance by Lynn Collins
as the delectable Portia round out this
highly recommended film.