This is probably the second or third best
film of the year. Not that this year has
made that much of a contest, but still.
Wes Anderson pulls out all the stops in
this surrealist exploration of the life of
too-real explorer Steve Zissou, a Jacques
Cousteau-manque who has fallen on
hard times. Discovering that he has a son
(Owen Wilson), an enormous debt and a
loss of meaning, he sets to sea in order
to kill or capture or maybe just wrestle
with the shark that killed his best friend.
Psychedelic fish, stagey action
sequences and unnatural performances
create a distancing effect which makes
the emotional content of the film all the
more real. Notable not only for great
performances by Bill Murray as Zissou,
Wilson as his son and Anjelica Huston
as his wife, but also for a truly thoughtful
synergy in writing, directing and
performance styles that create a
seamless other-world. Not for those who
like the simplistic pseudo-sincerity of
church and state, but if youre inclined to
see an art film with real art instead of faux
feelings, then you really shouldnt miss
Life Aquatic. Its the film Salvador
Dali, Marcel Duchamp and Marcel Proust
would have made if only they could have
stopped fighting over that last piece of
glowing, undulating, talking tuna fish.