Gus Van Sant goes into full art mode with
what may be the best film of the year. An
open, spacious and haunting take on the
Columbine killings, Elephant
refuses to pass judgment, leaving that up
to the audience. Courageous in its
refusal to simplify or explain the
motivations of the killers, the film is also
beautiful and so technically adept that
youll be swept away in the artistry until
youre horrified by the killings. Impeccable
and naturalistic performances and a
dearth of edits give the film a voyeuristic
quality that makes the end all the more
disturbing. If youre interested in the future
of film, you shouldn't miss this piece, as it
points to style and temperament that
are quiet, effective and yet
groundbreaking.