Cinema Feature

Review: Action-comedy ‘Novocaine’ is mostly pain-free fun

Review: ‘Wolf Man’ is a down-to-basics thrill ride — for better or worse

Review: Demi Moore gives transformative performance in body-horror film ‘The Substance’

Last Word Features: First half report — best movies/TV shows

Review: ‘Furiosa’ widens scope of ‘Mad Max’ universe

Review: ‘Dune: Part Two’ realizes first film’s potential

Review: Ethan Coen goes B-movie with ‘Drive-Away Dolls’

Review: Emma Stone shines in fantastically funny, strange ‘Poor Things’

Review: Emerald Fennell’s bold ‘Saltburn’ lacking depth

Review: David Fincher’s ‘The Killer’ peers into the mind of a hitman

Review: Sweet and simple, ‘The Holdovers’ has the makings of a holiday classic

Review: Scorsese’s ‘Killers of the Flower Moon’ uncovers Osage murder conspiracy

Review: ‘The Exorcist: Believer’ lacks the power to compel

Review: Almodóvar’s ‘Strange Way of Life’ is delightfully campy queer Western

Review: Gareth Edwards’ ‘The Creator’ is all spectacle and no bite in AI debate

Review: ‘Talk to Me’ delivers tense, toe-curling terror

Review: ‘Oppenheimer’ dramatically profiles trials, tribulations of infamous physicist

‘Single Minded’ makes world premiere Monday

Review: Romantic drama ‘Past Lives’ considers life’s choices

Review: Ari Aster returns with surrealist epic ‘Beau Is Afraid’