Rated R · 96 minutes · 2010

Drama, Thriller
This is perhaps the most commercial work yet from director Atom Egoyan (The Sweet Hereafter); at times, it’s also Egoyan’s clumsiest work yet. Still, Amanda Seyfried is quite good as the title character, a call girl who gets hired by a jealous wife (Julianne Moore) to spy on her husband (Liam Neeson). Things get complicated fast, culminating with Chloe and the wife sharing a bed, and Chloe becoming obsessed. Egoyan is always an interesting director, and he makes good-looking pictures. The performances by the three leads are all first rate—good enough, in fact, to make you overlook the derivative turns the screenplay takes in the final act. It starts as an intriguing look at jealousy and infidelity, and becomes a Fatal Attraction rip-off. Neeson’s wife, Natasha Richardson, died during filming, and he had to complete the film while still in mourning. (The screenplay was altered to accommodate the actor.)
Official Site: www.sonyclassics.com/chloe
Director: Atom Egoyan
Producer: Ivan Reitman, Daniel Dubiecki, Thomas Pollock, Ronald Halpern and Olivier Courson
Cast: Julianne Moore, Liam Neeson, Amanda Seyfried, Max Thieriot, R.H. Thomson and Nina Dobrev




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The Coast Halifax Thursday AFF Preview: Atom Egoyan's Chloe Stylish film brings glamourous Toronto to the big screen. by Carsten Knox 09/23/2009
The Coast Halifax Chloe heats up the screen Atom Egoyan's moody thriller takes a look at the repressed lives of Torontonians. by Carsten Knox 03/25/2010
Charleston City Paper Julianne Moore tries to catch her husband cheating in Chloe The Toronto couple at the center of Chloe are attractive, with successful and challenging careers, a fantastic home, and an enviable amount of free time for coffee shops and brooding. Lots and lots of brooding. by Felicia Feaster 03/24/2010
4 more reviews...
Colorado Springs Independent Opening this week Chloe, Hot Tub Time Machine, Greenberg and more. 03/25/2010
Portland Mercury Cheap Thrill Chloe: Erotic thrillers are so '90s. by Marjorie Skinner 03/25/2010
Memphis Flyer Letting the Wrong One In Chloe puts an art-film twist on a common "erotic thriller" premise. by Chris Herrington 03/25/2010
Indy Week The erotic thriller Chloe Chloe is a Skinemax refugee whose art house aspirations cannot compensate for a hammy, surprisingly tepid script that is high on titillation but low on dramatic tension. by Neil Morris 03/24/2010

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