A finalist for the 2017 Pulitzer Prize for Drama, The Wolves by Sarah DeLappe is currently one of the hottest plays making the circuit right now. With a story that is modern and fiercely female, it is no surprise that Arizona Repertory Theatre at the University of Arizona added it to its 2019/20 Season and produced it with a team made, predominantly, of women.
By China Young, Taming of the Review
Feb 20, 2020
Here in Southern Arizona, we are blessed with an abundance of art, as our Spring Arts Preview reveals. Margaret Regan fills us in on what we’ll find in museums and galleries, as well as previewing what local dance troupes will be bringing to the stage this spring.
By Tucson Weekly Staff
Feb 13, 2020
Artist Papay Solomon was still in his mother’s womb when she fled her native Liberia.
By Margaret Regan
Feb 13, 2020
With the vast majority of plays this spring written after 1980 and many within the last 20 years, the theme is very clearly modern. While it can be a risk to produce newer works, there is also so much to gain. Modern pieces are, well, modern.
By Leigh Moyer
Feb 13, 2020
The students of UA Dance have a busy schedule this spring. Three concerts are in the works, all of them to be performed at Stevie Eller Dance Theatre on the UA campus. For details and tickets see dance.arizona.edu.
By Margaret Regan
Feb 13, 2020
Baroque, Bach and Beyond
By Emily Dieckman
Feb 13, 2020
With the winter art season in full swing in Tucson, arts lovers have plenty of events and exhibitions.
By Margaret Regan
Feb 6, 2020
The Norwegians, by C. Denby Swanson, is more like a Tucson winter than the Minnesota winter in which it’s set; it’s brisk without being cold, bright but not quite sunny, with moments of warmth chased by a sudden chill.
By Betsy Labiner, Taming of the Review
Feb 6, 2020
Midway through the eighth annual Tucson Desert Song Festival—devoted this year entirely to the American voice—Ballet Tucson is stepping up to perform three dances with American roots.
By Margaret Regan
Jan 30, 2020
Arizona Theatre Company’s production of Master Harold… and the Boys, Athol Fugard’s semi-autobiographical play set in 1950’s South Africa, begs the audience to question how we deal with difficult times.
By Annie Sadovsky Koepf, Taming of the Review
Jan 30, 2020
Back in 1982, when Athol Fugard’s play “Master Harold” … and the Boys first hit Broadway, a New York Times critic got it right.
This Friday night, Arizona Theatre Company opens its own production, at a time when the U.S. is undergoing its own wrenching battles over racism and inequality.
By Margaret Regan
Jan 23, 2020
SAPAC’s Hot Mikado is a well-executed (pun intended) take on an old favorite
By Emily Lyons, Taming of the Review
Jan 23, 2020
Davis Dominguez, a long-running gallery of contemporary art and a respected venue that shows many local artists, will close its doors at the end of June.
By Margaret Regan
Jan 16, 2020
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