[
{
"name": "Air - MedRect Combo - Inline Content 1",
"component": "29441156",
"insertPoint": "1/3",
"requiredCountToDisplay": "9",
"parentWrapperClass": "fdn-ads-inline-content-block"
},{
"name": "Top Stories Video Pair",
"component": "27651162",
"insertPoint": "10",
"requiredCountToDisplay": "1",
"parentWrapperClass": "fdn-ads-inline-content-block"
},{
"name": "Air - MedRect Combo - Inline Content 2",
"component": "29441158",
"insertPoint": "2/3",
"requiredCountToDisplay": "10",
"parentWrapperClass": "fdn-ads-inline-content-block"
},{
"name": "Air - MedRect Combo - Inline Content 3",
"component": "29441159",
"insertPoint": "1000",
"requiredCountToDisplay": "15",
"parentWrapperClass": "fdn-ads-inline-content-block"
}
]
Talk about bellydancing. Tammy Rosen was six months pregnant when she took to the stage to dance the solo "Origins" in NEW ART's January concert. Make that a sort-of solo. April Greengaard choreographed it as a duet for a new-mom dancer and her baby several years back, but Rosen danced it with her baby still inside her belly. Always a graceful and engaging dancer, Rosen easily balanced her giant tum through the modern work, her gameness and megawatt smile earning her a standing ovation from the crowd. Five months later, at NEW ART's June concert, fans got an out-of-belly glimpse of young Katie Rose in her mother's arms, when Rosen took a bow for "Trickster," a work she and Leigh Ann Rangel choreographed. The intrepid Rosen had composed a part of the piece when the wee one was just weeks old.