The Old Pueblo’s vida loca is celebrated—and satirized—in Martin Quintanilla’s raucous new exhibition at Contreras Gallery. The poor Convento, the landmark Spanish adobe that Tucson allowed to crumble to dust, bravely raises its arches in the comical wall-size painting “Tratado de Guadalupe Hidalgo.” Present-day landmarks also get their due in Quintanilla’s wicked acrylics, from the […]