I love good, fucked-up music as much as the next guy. This Icelandic artist, on his fourth full-length solo album, whips up a maelstrom of righteous noise with samples, distortion, feedback, high- and low-tech, and even traditional instruments. It’s a slightly-out-of-focus, postmodern amalgamation of blues, glam, psychedelia, noise, death metal, trip-hop and glitchcore. Mugison’s approach, […]
