From the first song on The Incident, you know this is no typical Celtic-music album: “Lamped” kicks off with a vaguely African beat–slightly altered through some Radiohead-esque distortion–along with piano chords and what sound like electric guitars, before it eases into its rambunctious fiddle-and-accordion melody. Strings, piano and jazzy sax then converge in a chamber-music-style […]