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'The Social Network' is yet another masterpiece from director David Fincher

For many of us these days, our routines include visiting a certain popular website to update our statuses and connect with friends and family.

We write notes and clever asides about our allergies and our pets, discuss our likes and dislikes, and reject the friend request from that douchebag who we totally hated in high school.

Then we send our own friend request to that same douchebag a couple of months later.

Apparently, we do all of this because Facebook co-founder Mark Zuckerberg got dumped in a college bar and couldn't get into the cool clubs at Harvard.

Whether or not this is even close to the truth, it makes for an immensely entertaining premise in The Social Network, a scathing indictment of our impatient and exposed society, and another masterpiece from director David Fincher.

Aaron Sorkin's wicked screenplay suggests that Zuckerberg (played by Jesse Eisenberg in a star-making performance) was an arrogant, self-serving weasel who stabbed a few backs on his way to creating his web empire and becoming the world's youngest billionaire.

The film's primary conflict is between Zuckerberg and college friend Eduardo Saverin (Andrew Garfield), who gave Zuckerberg some money during Facebook's startup and became the first chief financial officer for the website. We see Saverin and Zuckerberg dueling with lawyers after Facebook goes through the roof, as well as flashbacks to the events that led the two former friends into a bitter and expensive legal war.

The Winklevoss twin brothers, Cameron and Tyler (both played by Armie Hammer, sort of; more on that later) also sued Zuckerberg, claiming he stole their idea for a social network after they hired him to develop a site. Sorkin's screenplay pretty much depicts this allegation as fact.

Eisenberg and Garfield are downright scary together, making one of the better screen pairings you will see this year. When things start to go bad between them—especially after Napster co-founder Sean Parker (Justin Timberlake) enters the picture—the movie goes into the stratosphere.

During one confrontation, Garfield shows why Sony is willing to bank the future of the Spider-Man franchise on him. Garfield does all of the yelling, and Garfield can yell with the best of them. It's during this confrontation that Eisenberg has one of his best moments in the movie. His Zuckerberg just stares with a look on his face that expresses fear about what he has become, acceptance that he must become evil for the good of Facebook, and sorrow about losing his friend. Yes, Eisenberg manages to get all of this across with one simple look on his face, and it's a thing of beauty.

I know some of you will want to kick me in the face for merely suggesting that Justin Timberlake deserves Oscar consideration for what he does in this film. Well, put on your Doc Martens and start kicking, because he's that good. His Parker is a party boy convinced that his Napster idea destroyed the music industry (a theory that actually has a lot of merit). His dinner scene with Mark and Eduardo, which culminates in a pivotal moment when Parker makes a simple suggestion regarding the website's name, proves that Timberlake has big-time acting chops.

This is perhaps the least-flashy of Fincher's films, but it's certainly one of his strongest regarding drama and dialogue. Every scene has a visual richness to it, though it's not as highly stylized as, say, The Curious Case of Benjamin Button or Fight Club. It does contain one of the best visual effects Fincher has ever put to film; it's so good that I didn't notice it. While both Winklevoss twins have Hammer's voice and face, an actor named Josh Pence's body was used for the portrayal of Tyler. Hammer's face was then seamlessly added to Pence's body to create the illusion of identical twins. I didn't know that one man played both parts until researching the film later.

Fincher employs Trent Reznor to do the moody soundtrack. Reznor, who contributed memorably to the opening credits of Fincher's Se7en, collaborates with Atticus Ross for a score that is as much a part of the film as Eisenberg, Garfield and Timberlake.

Somewhere in this world, there may be a young billionaire watching this film on the hugest flat-screen ever, perhaps slightly miffed that millions of people are currently seeing a movie that basically depicts him as Judas Iscariot Jackhole. I guess he'll just have to buy himself a large continent or a solid-gold space station to stop the flow of misery.

The Social Network
Rated PG-13 · 120 minutes · 2010
Official Site: www.thesocialnetwork-movie.com
Director: David Fincher
Producer: Scott Rudin, Dana Brunetti, Michael De Luca, Ceán Chaffin and Kevin Spacey
Cast: Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Armie Hammer, Max Minghella, Josh Pence, Brenda Song, Rashida Jones, John Getz, David Selby, Denise Grayson, Douglas Urbanski, Rooney Mara and Joseph Mazzello

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Charleston City Paper The fall 2010 book-to-movie preview Whether the result is good, like The Road, or absolutely horrible, like Ramona and Beezus, or just another dang adaptation of a Jane Austen novel, it's once again the season for filmmakers to turn a notable book into the next great (or terrible) film. Here are some of the lesser-known novels coming to your multiplex before year's end. (As always, release dates are subject to change.) by Scott Renshaw 09/08/2010
NUVO Ed predicts: 2011 Academy Award winners Hollywood hands out it's annual Oscar Awards this Sunday. This year, Ed is in agreement with the majority of the probable winners. by Ed Johnson-Ott 02/25/2011
Indy Week Futzing with Facebook by JP Trostle 09/29/2010
16 more reviews...
East Bay Express The Social Network and the "F" Word The billionaire geek who invented Facebook (The Social Network) meets the juvie outcasts of the living dead (Let Me In). by Kelly Vance 09/29/2010
Portland Mercury Profile Picture The Social Network: David Fincher does not want to be Mark Zuckerberg's friend. by Erik Henriksen 09/30/2010
Indy Week Aaron Sorkin handles the truth Sorkin on the drive behind Facebook and those who created it, on the allure and trappings of social media, and on why he decided to option Andrew Young's book about the John Edwards sex scandal and cover-up by Neil Morris 09/29/2010
Indy Week Facebook gets its movie, courtesy of Aaron Sorkin and David Fincher The irony is this tech-led revenge of the nerds ends up succumbing to the same trappings of ambition, entitlement and narcissism, as well as emulating the very social caste system they rebel against. by Neil Morris 09/29/2010
Colorado Springs Independent Opening this week The Social Network, Let Me In, Case 39 and more. 09/30/2010
Chicago Reader The Best Movies of 2010 Carlos, Enter the Void, Dogtooth, and more by J.R. Jones 12/16/2010
Colorado Springs Independent Now a major motion picture! From orphaned owlets to Fincher's Facebook, here's a fall preview of book-to-movie adaptations. by Scott Renshaw 09/09/2010
The Coast Halifax Logging into The Social Network The Facebook-based film brings a high IQ, without preaching a social discourse on its network. by Hillary Titley 10/07/2010
NUVO Ed "Likes" 'The Social Network' Excuse the unfortunate pun; reviewing what is widely known as "the Facebook movie," Ed discusses online communication and smart, angry people. by Ed Johnson-Ott 09/28/2010
Colorado Springs Independent Face-plant: The Social Network Life and all its weird facsimiles come at us so quickly nowadays, which is partly why you know you want to see The Social Network anyway: to process. by Jonathan Kiefer 09/30/2010
Charleston City Paper The founders of Facebook get in a Poke War The Social Network feels like a strange and satisfying blend of two worlds. On one hand, it's a classic Hollywood screwball comedy where brainy dialogue ping-pongs with dizzying speed between über-brainy Facebook creator Mark Zuckerberg (Jesse Eisenberg) and his equally tongue-lashing prone peer group. "Dating you is like dating a Stairmaster," quips his exasperated Boston University girlfriend Erica Albright (Rooney Mara). by Felicia Feaster 09/29/2010
Boise Weekly The Projector: Movies opening Friday, Oct. 1 A protective vampire; an Australian crime family; something from Fight Club's Fincher; a dive becomes the place to be; teens and their virginity; Oliver Stone's long-awaited Wall Street sequel; and the high-school bully finally gets what's due to her. It's all at the movies. 10/01/2010
Creative Loafing Atlanta Catfish, Social Network refresh our ideas about Facebook Snappy, engrossing movies provide status updates of the online zeitgeist by Curt Holman 09/24/2010
Indy Week Pondering the 600 million in Facebook's global village The nation that for the last 50 years has defined its "dream" as a house in the suburbs where no one can bother you is now spending more and more of its spare time letting everybody back in. by Gerry Canavan 09/29/2010
Memphis Flyer Facebook, Official David Fincher crafts a great film on an allegedly unlikely subject. by Chris Herrington 09/30/2010
Chicago Reader The Price of Privacy In The Social Network, Facebook founder Mark Zuckerberg learns a thing or two about it. by J.R. Jones 09/30/2010

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