Review: ‘Dune: Part Two’ realizes first film’s potential
By Connor Dziawura
Review: Ethan Coen goes B-movie with ‘Drive-Away Dolls’
Review: Emma Stone shines in fantastically funny, strange ‘Poor Things’
Review: Emerald Fennell’s bold ‘Saltburn’ lacking depth
Review: David Fincher’s ‘The Killer’ peers into the mind of a hitman
Review: Sweet and simple, ‘The Holdovers’ has the makings of a holiday classic
Review: Scorsese’s ‘Killers of the Flower Moon’ uncovers Osage murder conspiracy
Review: ‘The Exorcist: Believer’ lacks the power to compel
Review: Almodóvar’s ‘Strange Way of Life’ is delightfully campy queer Western
Review: Gareth Edwards’ ‘The Creator’ is all spectacle and no bite in AI debate
Review: ‘Talk to Me’ delivers tense, toe-curling terror
Review: ‘Oppenheimer’ dramatically profiles trials, tribulations of infamous physicist
By Alex Gallagher
‘Single Minded’ makes world premiere Monday
By Karen Schaffner
Review: Romantic drama ‘Past Lives’ considers life’s choices
Review: Ari Aster returns with surrealist epic ‘Beau Is Afraid’
Review: Hulu’s ‘Rye Lane’ a refreshingly vibrant rom-com
Review: ‘Scream VI’ scares up twists and meta commentary in NYC
Film highlights Blacks’ contribution to jazz dance
By Laura Latzko
Jewish Film Festival returns for 32nd year
By Summer Aguirre
Review: Bold, bloated ‘Babylon’ explores early Hollywood depravity
View Articles List | Browse Cover Archives