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Our reviewer has one complaint about 'The Kids Are All Right': The film had to end

Some tremendous acting forces deliver The Kids Are All Right, one of the best films I've ever seen about family and the constant struggle to keep things harmonious. Annette Bening, Julianne Moore, Mark Ruffalo, Josh Hutcherson and Mia Wasikowska make this funny and blisteringly honest film one to be cherished.

Jules and Nic (Moore and Bening) are a lesbian couple with two children, Joni and Laser (Wasikowska and Hutcherson), conceived through artificial insemination. Joni is 18, and therefore old enough to track down the sperm donor—and meet him if he consents. The call is made, and Paul (Ruffalo) is more than willing to meet the child he wasn't sure existed.

Paul learns that not only was his donated sperm used once; it was used twice by the couple, and he's taken aback but pleasantly amused by the development. He meets his biological children—and is more than impressed. He knows, almost instantly, that he wants to be friends with both of them.

Enter Jules and Nic, who were unaware of their kids' contact with Paul; when they find out, they respect their children's understandable curiosity. All parties eventually meet—and this, of course, leads to all sorts of complications. Jealousy, infidelity, paranoia and landscaping all get mixed together in a fashion that is both realistic and hilarious. Give director and co-writer Lisa Cholodenko a lot of credit for making a film about families that pulls no punches and is wholly original.

Bening wowed me with her recent work in Mother and Child, another unconventional-family film. Here, her Nic is a boiling cauldron of emotion, and a little overbearing as a parent and spouse, rendering her rather unlikable at times. She is more than happy with the present state of things in her household, and she's most intimidated by the entrance of Paul into their lives. She is also, as it turns out, the one who will get hurt the most. She has a moment in a dinner scene toward the film's end that is, thanks to some particularly excellent direction by Cholodenko, beyond incredible. Bening is having the best acting year of her life.

Ruffalo, an actor I have always admired, gets the best showcase of his career. He has to be one of the finest "face" actors going; he says so much with expressions. His Paul is basically a good guy who has avoided the responsibility of fatherhood and family. When he gets the chance to meet his offspring, he embraces it—but subsequently blows it. Ruffalo plays all of these complexities with the sort of pitch-perfect nuance that displays what a talented actor he is. He's an irresistibly charming and complicated bastard in this film.

I took some shots at Wasikowska for her boring work in Alice in Wonderland. Her work here, in the land of the real, is far more impressive. Joni feels like a real kid, butting heads with her parents and bonding with the free spirit that is Paul.

Hutcherson, who just lost out on the role of Spider-Man, takes a break from fantastical franchise films like Cirque du Freak and Journey to the Center of the Earth and gets to play a teenager who isn't battling vampires or talking to cartoon birds. He shows that his work can have actual depth.

The one thing I didn't like about this film is that it had to end. It doesn't feel incomplete or unsatisfying in any way; I just want more. I know it's not normal to make sequels of films that don't involve superheroes and special effects, but I would love it if somebody found a way to revisit these characters some day.











The Kids Are All Right
Rated R · 104 minutes · 2010
Official Site: filminfocus.com/focusfeatures/film/the_kids_are_all_right
Director: Lisa Cholodenko
Producer: Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Lundberg, Steven Saxton, Ron Stein, Christy Cashman, Anne O'Shea, Riva Marker, Andrew Sawyer, Neil Katz and J. Todd Harris
Cast: Julianne Moore, Annette Bening, Mark Ruffalo, Mia Wasikowska, Josh Hutcherson, Kunal Sharma, Eddie Hassell, Zosia Mamet, Yaya DaCosta and Joaquín Garrido

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What others are saying (11)

Memphis Flyer Modern Family The Kids Are All Right is just alright. by Addison Engelking 07/29/2010
Colorado Springs Independent Opening this week Cats & Dogs: The Revenge of Kitty Galore, Charlie St. Cloud, Dinner for Schmucks and more. 07/29/2010
Charleston City Paper Annette Bening and Julianne Moore play house The kids are all right in The Kids Are All Right. The adults are pretty screwed up — though not in a bad way. They're messed up in a normal way, a way that comes from living a full, complicated adult life wherein you don't always make the best decisions and don't run away from the consequences when you do. Wherein you make some damn good decisions and enjoy the happiness it brings until the bad decisions threaten to smack you and ask you, "What were you thinking?" And, indeed, you have to ask yourself, "What was I thinking?" by MaryAnn Johanson 07/28/2010
8 more reviews...
Indy Week Too-tame tale of two mommies in The Kids Are All Right This may be filmmaker Lisa Cholodenko's attempt to show that the bumps and bruises of a gay marriage are just like those in a straight marriage, but that only means she's telling too familiar a story. by Scott Renshaw 07/28/2010
Chicago Reader The Best Movies of 2010 Carlos, Enter the Void, Dogtooth, and more by J.R. Jones 12/16/2010
East Bay Express Girls, Girls, Girls Swedish avenger (The Girl Who Played with Fire) and suburban lesbian moms (The Kids Are All Right). by Kelly Vance 07/07/2010
The Coast Halifax The Kids Are All Right is more than alright Art house queen Lisa Cholodenko has succeeded in creating a mainstream movie about families and partnership. by Hillary Titley 07/22/2010
Boise Weekly New On DVD: The Kids are All Right ... ... Even though their mothers are crazy. by George Prentice 11/03/2010
Portland Mercury Daddy Dearest The Kids Are All Right: Finally, a movie uses Mark Ruffalo's sperm as a major plot point. by Alison Hallett 07/15/2010
Creative Loafing Atlanta The Kids Are All Right Modern flick finds old-fashioned laughs in nontraditional family structures by Curt Holman 07/15/2010
Chicago Reader The Nature of Nurture Two of the year's best films address extremes of parenting. by J.R. Jones 07/08/2010

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