Favorite

A Friendship Forged 

Two fantastic actors make the simple story of 'The Intouchables' sing

During an impromptu job interview, Philippe (François Cluzet) asks Driss (Omar Sy) if he knows Vivaldi. That the younger man is not familiar with the composer is no surprise; Driss appears streetwise, perhaps, but as a North African refugee trying to get ahead in Paris, his appreciation of the classics is somewhat stunted. He does know Earth, Wind and Fire, however.

Vivaldi, it turns out, is a fair comparison for The Intouchables, an exuberant, life-affirming film that shies away from the complex structure of many imports in favor of a lyrical, unforgettable melody.

Despite a complete lack of experience, a genuine disinterest in the job, and the fact that he pocketed a rare Fabergé egg on his way out of Philippe's mansion, Driss is hired to be Philippe's caregiver. Why? Well, since this is a French film, it's fitting to say that Philippe—confined to a wheelchair following a parasailing accident some years earlier—admires Driss' joie de vivre. Of all the candidates for the position, Driss was the only one who looked like he could have fun on purpose.

They slowly begin to establish a trust and a dialogue, which is really as deep as The Intouchables wants to go. Certainly the writing and directing tandem of Olivier Nakache and Eric Toledano could have ratcheted up the intensity here or there. Driss had been a small-time crook, and he could relapse, or Philippe's health could get a lot worse; either option would not be implausible. But this is not a film about those kinds of obstacles. It's about how a bond can form in the unlikeliest of places, and how certain moments can forge a friendship, no matter how else these two lives have unfolded. That's not the highest bar in the world to set, plot-wise, but it's no less easy to clear it. Most movies fumble the stories that seem easier to tell.

Admittedly, pairing a rich quadriplegic and an immigrant who lives in the ghetto is not a terribly new plot device. You could make a few cosmetic changes and have Driving Miss Daisy or Scent of a Woman; those who are grousing about this film's simple nature throw around those titles, bringing them up as though they're accusations. But Intouchables is too good-natured (and focused) to care about the name-calling; it just tells its story and lets the camera roll on two fantastic performances.

You may have seen Cluzet in another French export, the taut thriller Tell No One. He plays Philippe as a man only bound to his chair physically. Emotionally and in his imagination, he's still the guy who went parasailing. Perhaps that's why he's so drawn to Driss, who, despite his past and the hardscrabble life of many North African refugees, always wears a smile and looks for the best in every day.

Countering Cluzet, Omar Sy is positively infectious. His energy is the film's energy. At the apex of Artist-mania in France, Sy beat his fellow countryman Jean Dujardin for the Best Actor award at the Cesars, the French equivalent of the Oscars.

In just a few months, Intouchables has become the highest-grossing foreign film in history. Before it ever opened in the United States, the film had generated about $350 million overseas. The reason why is so simple that it's a wonder Hollywood even bothers with a parade of battleships and John Carters: Intouchables may seem like elevator music, Vivaldi perhaps, but it's playing a tune everyone catches themselves humming eventually.

The Intouchables
Rated R · 112 minutes · 2012
Official Site: weinsteinco.com/sites/the-intouchables
Director: Olivier Nakache and Eric Toledano
Producer: Nicolas Duval-Adassovsky, Laurent Zeitoun and Yann Zenou
Cast: François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot, Clotilde Mollet, Alba Gaïa Kraghede Bellugi, Christian Ameri, Grégoire Oestermann and Cyril Mendy

Trailer


More by Colin Boyd

Comments

Subscribe to this thread:

Add a comment

Readers also liked…

  • Pop Hit

    The Lonely Island crew delivers a music mocumentary that belongs at the top of the charts
    • Jun 9, 2016
  • Flat Avengers

    “Avengers: Age of Ultron” is a boring repetitive mess (don’t let your kids kill us)
    • May 7, 2015

What others are saying (7)

Memphis Flyer Bosom Buddies The French do "blockbuster" differently. by Addison Engelking 07/12/2012
Indy Week Don't touch The Intouchables The Intouchables is a series of fatuous scenes showing a Senegalese man named Driss livening up the world of his wealthy paraplegic employer Philippe, while of course learning a little something about himself in the process. by Nathan Gelgud 06/06/2012
Creative Loafing Charlotte The Intouchables: Odd couple at work Rating: **1/2 by Matt Brunson 06/08/2012
4 more reviews...
The Coast Halifax The Intouchables Funny, but a tad schmaltzy by Molly Segal 07/12/2012
Arkansas Times 'The Intouchables': Paralyzed with laughter French film offers winning look at a paraplegic and his caregiver. by Sam Eifling 08/08/2012
Colorado Springs Independent Perfect strangers: The Intouchables The movie is funny and heartwarming and brings together two guys from completely different racial, economic and social backgrounds. by Michael Gallucci 07/25/2012
East Bay Express The Intouchables Rich disabled man meets "magic negro," and laughs ensue. by Kelly Vance 05/30/2012

The Range

The Weekly List: 23 Things To Do In The Next 10 Days

Cinema Clips: Loving

Cinema Clips: The Eyes of My Mother

More »

Latest in Cinema Feature

  • Dark-Hearted Heart

    Nocturnal Animals wonderfully plays on the fears of husbands and wives with no happy endings in sight
    • Dec 8, 2016
  • Loving Loving

    The movie Loving might be the best cinematic representation of marriage and what it ultimately stands for
    • Dec 1, 2016
  • More »

Most Commented On

  • Dark-Hearted Heart

    Nocturnal Animals wonderfully plays on the fears of husbands and wives with no happy endings in sight
    • Dec 8, 2016
  • Loving Loving

    The movie Loving might be the best cinematic representation of marriage and what it ultimately stands for
    • Dec 1, 2016
  • More »

Facebook Activity

© 2016 Tucson Weekly | 7225 Mona Lisa Rd. Ste. 125, Tucson AZ 85741 | (520) 797-4384 | Powered by Foundation