To film critic James: While this may sounds like a personal attack, my point is your writing perspective offends older readers. It conveys two subliminal messages. I suggest you have someone over sixty-five read your review before you push the "send" key. You cannot help it because you are young. Get this: we old fogies are not done yet; we had some incredible experiences. We seek movies that have the depth, pathos and possible joy of life portrayed within them. You speak another language. An example in your recent review..."but he'll spend most of the movie drenched in CGI," reflects some evolved code that only "texting" capable youth can parse. Actually, the more powerful age gap offense is that you fail to observe the dumb down present in most films released—we will not see these because they are trite, dispassionate and ugly. They are commodities, and we can smell them by reading astute critical reviews and not recommending them within our considerable networks--phone, mail and email.
The second sin James? Get over yourself. Remove what you would do from all your writing. Use another column for cultural review, comedy and sarcasm. Take your indictment of Steve Jobs. Please. For example, my family lives within one mile of Pixar in Oakland. My best friend from college, his son art directs massive computer graphics work for Pixar. So? My opinion, just one voice, is that company's work deserves recognition for work that resonates with all ages. It does not deserve your fear mongering about the company's founder who also has a history with another company's founder about who stole what from whom. By the way it was yet another company's intellectual property, but that is more than seven years now.
If you do not publish this, I can understand. If you do not read it, you lack courage to reflect on your own craft. My suggestions come from a lifetime of being a critic. It took me decades to learn the following: by removing the vanity, the easy personal remarks and caustic voice you will conduct your real job. Apply your analysis to studying the film's intent and a wide range of audience types. Your personhood will not disappear; just get out of the way. Instead, you become a bridge. Some will want to cross to see the film. Others will thank you for helping them avoid the toll.
Tucson Weekly |
3280 E. Hemisphere Loop, Suite 180, Tucson AZ 85706 |
P.O. Box 27087, Tucson AZ 85726-7087 |
(520) 294-1200 |
Powered by Foundation