Temple of Music and Artifact?
There is a lot of information in this article and I will definitely have a look at as many of the listed offerings, but please, can we have a bit more coherency in the writing? I'm going to have to print this out and rewrite it before its usable as a guide to the listed galleries.
One Our Favorites especially the westerns!
Yes, the Gaslight productions are corny & hokey, the puns sometimes make me wince, but the actors & musicians are all very talented & their enthusiasm is contagious. I belong to a social group & 'we' go to every production & have loads of fun tappin' our toes & clappin' our hands & copious amounts of Free popcorn are served by the friendly & hard workin' waitstaff; the Gaslight experience is fun & a fabulous bargain for people of all ages!....J.G.B.
Hi. Reading this article got me to thinking about something a few years back I was on my way from New Mexico to Arizona I went about an hour south of Albuquerque and picked up a highway that took me west to Phoenix on my way out there I went down and down and down. It was late April or early May. As I crossed over I think I gained two hours. So it was a very long day but more stunningly The sky was crystal clear. Never in my life was I so surprised or delighted at scenery during the car ride. Part of it no doubt is the geography or top biography of that area. You go from the mountains of New Mexico to canyons which lead to a valley Full of saguaro cacti. I wanted to name that experience and so I was reminded of the book by CS Lewis entitled surprised by Joy. That was my experience. I was surprised by Joy. It was a day with two hours tacked on two hours of beautiful sunlight crystal clear skies and warm crisp Desert like climate that reached 99° upon entering Phoenix Valley. I've driven across country twice and have traveled abroad quite a bit but I never saw such a spectacular seen as this. Has anyone else driven that route that shared my experience? I'd be interested to know.
For the Record, Open Dress on Friday (tonight!) also begins at 7:30, like the regular shows! Sorry about the mix-up!
The Weekly needs to start putting links to the websites of boutiques and hangouts in these articles the way the Chow page does with restaurants.
The Kasser family exhibit is probably fine, and I am looking forward to seeing it, but it is not a major show by any means as implied in the review. It is being seen in Tucson and Tulsa not exactly major stops on the art show circuit. To say "not to be outdone," and compare the MOMA and the TMA is to engage in hallucinations. Just say it is a good show and is worth seeing.
It is revealing that you describe the concertmaster of the Tucson Symphony orchestra has a "guest violinist"
LTW is a Tucson treasure.
Excellent production... Have seen performances of Les Miserables in Phoenix, Chicago (twice), New York, and ...Madrid, in Spanish.
Kudos to AO for putting this ensemble together, they and the cast are a credit to Tucson and our arts scene. AO is also to be commented for the community out reach that they do, especially noted, the complementary and free tickets they give to expand their future audience. Mr. Aguirre does have a bass voice as noted, a true baritone would have probably been more what is generally called for in this role. However, he did an admiral rendition, dramatic, forceful, colored, convincing. Would love to see him in a traditional bass role.
Unfortunate, the production run was short, the performance was SOLD OUT, I understand contractual and production cost limitations, ...but, it could have easily run TWICE as long.
"Many think this story is about the French Revolution, but it concerns a much smaller—and less successful—effort years before."
Actually, the French Revolution was 1789, the Paris Rebellion, that is referenced in Les Miz, actually happened after the revolution in 1832.
And Juan Aguirre as Javert is a bass (lower and more ominous than a baritone).
But never mind about all that, go see this amazing production!
Anyone who has enjoyed Tucson theater over the years will be more than inspired.
Any pictures of the exhibits?
I wish there were more pictures for the article. I love the skele-bikers.
Had to mention the streetcar.
Hi. I am a regular visitor at the Gaslight Theatre and I wanted to make a few respectful and professional comments on this review. The song is called "Can't Smile Without You", the costume designer's last name is Cloutier, not Clouthier, and the first sentence doesn't make sense. I thought it should say this is A good one.
The Weekly will nurture every new band no matter the skill level. They also nurture one another with congratulatory comments about their opinions. There are thousands of people in Tucson interested in theatre and it is not always the most common or commercial. Mr. Skinner wrote a rave review of a commerical house company previously. Despite the digital age, theatres still count on positive press. I think this reviewers inability, for example, to discuss anything about the actress but her eyes is not only telling but a little creepy. My takeaway from this review was that the reviewer does not know how to look at a play or a performance. It may be the show was unsuccessful. I liked many things, other things bothered me. The theatre community depends on places like the Weekly to deliver arts news and it is very disappointing that this is the result. Who will review the reviewrs? Quis custodiet ipsos custodes?
Just got around to reading the May 29th ‘review’ by M. Scott Skinner’s of “Iraq in 3/3 Time With A Coda”, which I had the good fortune to see at Live Theatre Workshop.
My husband and I just moved here from the North Shore of Boston, and one of the things that attracts us to Tucson is its wonderful theater community and the many theaters and the many new plays, innovative companies, writers groups, responsive audience, and more that exist here. We both hope to become a part of it.
One of the many things we’ve learned about theater and about new plays in particular is advice from the Chicago Dramatists group (which has done a phenomenal job of creating a dynamic theater culture in Chicago), and they feel that the Chicago theatrical renaissance owes much to the reviewers who went to all the plays, who supported the theaters and playwrights and actors through thick and thin, and gave public structure to the efforts of that artistic community. They built audience, and sensibility, and sensitivity, and confidence in what was once backwater Chicago. They did it.
This review is really not much of a help in building the community here in Tucson. It’s snarky, and about the critic and how clever and funny one can be, and not useful or constructive in any way. There was much to say about Iraq in 3/e Time With A Coda, and much good, and there are things that could be better, too, lessons that could be learned, but this review doesn’t try in any way to nurture the playwright, the actors, the theaters that make themselves available for new work, or the audience. It’s a turnoff.
It’s fine not to like a play. It’s fine not to like a production. But it is vicious to put together a review like this. And it does little good except to give a critic the chance to perform some sort of public execution.
I like playwright, I liked the risk he took to put the play on, to direct it himself, I like new plays, I like these actors who took up this challenge, I like people who take risks, I like people who go to plays who share their thoughts and reactions in the hope of making Tucson a greater center of theater.
I really don’t appreciate people who lurk outside the lights and look for signs of weakness to prove ---what? I guess I don’t know what the point is.
Thank you to the playwright, the actors, and Live Theatre Workshop for putting up new plays. I hope to see more.
Worst and most infantile 'professional' review I have ever read. This told me little or nothing constructive about the play, only that the 'reviewer', (I use the term loosely), did not like it, but gives no reason for his views. Methinks there may be more than just a bad burrito in the mix.
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