...finding that we have successfully explained our position that the County “'unquestionably abused’ its discretion in spending taxpayer money and lending its credit when, among other things, it took on $15 million in new debt, commenced the construction of the headquarters and balloon pad to be used by a private for-profit corporation that had an unproven ability to conduct its intended operations, failed to obtain competitive bids, committed to lease the premises to the private for-profit corporation at below market rates, and granted to that corporation the right to operate, maintain, and control access to the pad (which would include keeping any profits it makes from allowing other third parties to use the pad).
... today we are asking the court to cancel the World View lease and force the County to comply with a state law that requires an appraisal, public auction, and a minimum price when the County leases property. When we were in court for the hearing on whether or not the case would be dismissed, the County admitted that it ignored this law, and Judge Woods has already ruled that the law applied. The County will have 30 days to respond to our request for the lease to be cancelled.
The hyper-American culture of hip-hop has been around for a whopping 40 years, and has gone through countless changes. We’ve heard party music heavily focused on seconds-long drum breaks propelled by two turntables and a DJ, to boom-bap beats, heavy dark samples and witty MCs rhyming about the “trife” life, to extremely melodic and catchy beats paired with rhymes that at times are clever, but at most are one dimensional.
Different times saw different mindsets, different work ethics and different inspirations. Yet, can these disparate minds and styles continue to create simultaneously as the genre itself begins to have a real human history? Can pivotal members of the culture (the old heads like Pete Rock) who have honed in their craft and who represent the old-school exist alongside rappers whose sole purpose is to make cash (the young bucks like Young Dolph) in rap.
In a perfect world, yes. But nothing’s ever easy in hip-hop.
It is good old ageism that’s not allowing old heads and young bucks to happily co-exist? A recent clash between the two suggests no way. The 44-year-old Pete Rock, who’s been creating hip-hop since the late ’80s and is one of the most influential hip-hop producers on earth, went after 26-year-old rapper Young Dolph on social media.
Rock reacted on Instagram to Dolph shooting a music video in which he spit the line “I had he had “cocaine running though my vain” with a child beside him. The clip prompted Rock to say “we have to raise our children better than this.” And he called Dolph “hot garbage.”
Dolph took to Twitter, insulted Rock, and said the cocaine bit was a nod to his parents being crack addicts and being born with crack in his system.
Rock shot back, taking a stand against “mumble rappers” and said “Y’all don't care about the culture, so why are you in it?"
Rock has a point. Many new rappers claim they don't like older hip-hop, that it doesn't resonate with them and it's not a culture they want to be in. In fact, rapper Lil Yachty said in a recent Billboard interview that he couldn’t name five tunes by Tupac Shakur or The Notorious B.I.G., two of the most influential MCs in hip hop.
Everyone should know where they came from.
Varied artists bring their unique talents to APCOT. Local celebrity judges will select the artists that will… More